The Blackface of White Christmas

The Irving Berlin Song ‘Mandy’ Cloaked Racism in Nostalgia on American Stages and Screens for Nearly 40 Years

White Christmas is a staple of the holiday season. Every winter, the 1954 movie-musical brings Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen into our homes to sing and dance their way through rural Vermont. But what might seem like wholesome entertainment takes a turn when the cast performs “Mandy,” a song reminiscing about “the minstrel days we miss.”

The jarring musical number demonstrates how blackface minstrelsy embedded itself in popular culture long after the practice itself became taboo, and how, by cloaking its message in nostalgia, incarnations of the same hateful genre have …

La La Land’s Debt to Ethnic Musicals of Yore

Its “Burst-Into-Song” Style Echoes the Intimacy of Early Black, Mexican, and Jewish Productions

“Without a nickel to my name/ Hopped a bus/ Here I came …” So sings a young woman at the start of La La Land, the original musical film by …

The Slaves of La La Land—and South Los Angeles

What the Lilting Musical and an Acclaimed Satire Reveal About California’s Dark Heart

The brilliant new film musical La La Land is being celebrated as a love letter to Los Angeles. But the darker heart of the movie lies in a brief and …

Let’s Not Pretend That ‘Hamilton’ Is History

America's Founders Have Never Enjoyed More Sex Appeal, but the Hit Musical Cheats Audiences by Making Democracy Look Easy

Hamilton is the hottest show on Broadway, filled with hip-hop songs, R&B rhythms, and tri-cornered hats. Its multi-racial cast portrays the pantheon of Revolutionary greats, and for many a starry-eyed …