What If We Saw Cars Like Rolling Sculptures?
The Automobile Represents an Engine of Possibility for Black L.A., Said Panelists at “Is Car Culture the Ultimate Act of Community in Crenshaw?”
Where Crenshaw and Leimert boulevards meet, the silver glint of artist and sculptor Charles Dickson’s “Car Culture” is beginning to take shape. One of Dickson’s largest public artworks to date, the towering sculpture, a celebration of Black innovation and expression, is part of Destination Crenshaw, a new 1.3-mile, open-air monument to Black Los Angeles.
A smaller model of Dickson’s sculpture made its way to the ASU Herald Examiner Building on 11th and Broadway last week, to go on view during the Zócalo and Destination Crenshaw public program “Is Car Culture the …
