The Future Was To Be Lighter

And to weigh less. And to exemplify somehow
a more celestial routine

or at least not be so straight-up
old prairie weed and wind.

It was to be wraithlike and comprise
a big craving for, say, clairvoyance

and the swiftness
of whatever’s most straightforwardly

swift. There were to be more boots
and socks and hats and roots and twigs

in the future that I was to have
the vigor for and the vigor was to be

the sway which would be sort of like a wax
which was to have imbued in me

a kind of grace so that speaking merely spiritually
of course the universe would have

swollen up like a sponge in bubbly water
without there being an ego problem either

since I would have been made mostly
of air. Like time doesn’t wear us down

to little nubs of dumb despair. Like
space doesn’t. Like what we breathe

isn’t Oxygen plus Helium plus Argon
plus Neon plus Methane plus Krypton

plus the confiscated wings of ladybugs
and other gremlins and woozy chemicals

the laws of poetry forbid me to name
here in the star-crossed present

where I lament the noxious resin in my lungs
since I lack the exact lingo to say

the outlook from here—the vista,
the scene—gets more

inert and woebegotten
by the day

when all I wanted was just more waggle
and the peace I thought would come with it

like a sumptuous train or something
headed toward me like a light.

Adrian Blevins is the author of Live from the Homesick JamboreeThe Brass Girl Brouhaha, and two chapbooks—The Man Who Went out for Cigarettes, and, most recently, Bloodline. She is the recipient of many awards and honors including a Kate Tufts Discovery Award and a Rona Jaffe Writer’s Foundation Award. She teaches at Colby College in Waterville, Maine.
*Photo courtesy of Matt Millard.
Explore Related Content
,