• Essay

    Beyoncé’s Dance Floor Liberation

    From the Golden Age of House to ‘Break My Soul,’ Black Divas Continue to Lift Us Up in Hard Times

    by H. Zahra Caldwell

    I can very clearly remember in 1993 the first time I heard Robin S.’s “Show Me Love.” I felt moved ...

  • From The Archives

    My Summer at the Graveyard

    Observing That Final Resting Sites Aren’t Always Quite So Final, KCRW’s Warren Olney Considers What He Wants for His Own Remains

    by Warren Olney

    We never heard about “recycling” when I grew up, during the Age of Plastics. But, during one summer ...

Where I Go

Where I Go: The Specter of the Cinema Café

My Favorite Diner Became a Casualty—and a Warning—of Merced’s ‘City on the Rise’ Ethos

by Anh Diep

Merced is a place for dreams and new beginnings. At least that’s how it was advertised to me when I moved there from the Bay Area to attend college at the University of California’s newest outpost, a campus intended to serve the Central Valley and invigorate the local economy. If the pursuit of an education brought me there, places like the Cinema Café—a restaurant nestled into the historic Mainzer Theater building—were what made me feel at home.
  The café closed just before the pandemic, a victim of Merced’s own success. Ever since, it has been a specter—a ghost of the Merced I had known and a reminder of progress’s voracious appetite.
  I didn’t have any expectations the first time I visited the eatery, for a Saturday brunch, after I moved off campus in 2016. But as my friends and I walked up to it, I was instantly charmed. It was a light-green building with art-deco features ...

Essay

Why Are Our Sports Stadiums Becoming More Like Roman Amphitheaters?

Today’s Shift to Status-Based Seating Is an Unwelcome Return to the Rigid Social Divides of an Imperial Age

by Edward Watts

More than 230 amphitheaters, among the largest and most memorable monuments left to us by the Romans, survive in cities from northern England to the banks of the Jordan River. The Romans built amphitheaters for more than 500 years in a range of sizes—from a capacity of a few thousand to 50,000 in the Colosseum—using a variety of techniques. The amphitheater at Pompeii was built in the first century BCE by workers who excavated hillsides, placed terraced seating on the packed soil, and erected retaining walls to hold the rows of seats in place. The amphitheater in Bordeaux was built nearly 300 years later as a freestanding oval fashioned out of brick, concrete, and cut stone.
  In every one of these diverse structures, the proximity of one’s seat to the arena floor corresponded to one’s social standing in the community. That method of letting status determine seating is having a rebirth today ...

  • The Takeaway

    ‘It’s Difficult to Win Hearts and Minds When You’re Holding a Gun’

    When War Becomes the Means of Governing, Civilians, Soldiers, and Veterans Lose

    by Talib Jabbar

    With wars playing a crucial role throughout history in shaping American influence and character—and with present-day conflicts devastating countries such as Ukraine and Yemen—Zócalo convened a panel to probe the question, “What is Our Responsibility for Our Government’s Wars?” ...

Inquiries