The Rape of Proserpina

Figura serpentinata. Sure, it’s twisted
as all such stories are, but still
it’s moving, in a way.

They’re gods. What can you say?
Capricious, stony, an abyssal will
that cannot ever be resisted?

Granted. We build the deities we need,
and they’re as full of brute
impulses as we are. There’s no sense

to anything otherwise. And really, since
we know she’s going to eat the stupid fruit,
seed by dark garnet seed,

where’s the fault here? It’s more than no
means no,
war of wills. She can twist in his grip forever;
it’s still the handbasket in which

she’ll go to hell. We know
if anything’s carved in stone, it is the never-
over Plutonic pull to enrich

the coffers of spall and schist and transfigured lime
below us. She’s no different. Die,
remineralize, repeat. Though yes, it’s strange

to see, if you apply
enough heat, enough pressure, enough time,
how radically a thing can change.

Amy Glynn’s poetry and prose appear widely in journals and anthologies including The Best American Poetry (2010 and 2012). She has been the Mona van Duyn scholar at the Sewanee Writers’ conference and writer in residence at the James Merrill House in Stonington, Connecticut. Her book A Modern Herbal was released by Measure Press in November 2013.
*Photo courtesy of Le living and co via Flickr.
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