Portrait of Icarus as a Country on Fire

Portrait of Icarus as a Country on Fire | Zocalo Public Square • Arizona State University • Smithsonian

“… I’ve always / felt like Icarus, a flaming ball of wax / and feather, not a beautiful boy falling out / of the sky, but a charred corpse, plummeting / to the ocean.” Courtesy of the Metropolitan Museum of Art.

Can we talk about the wax? The way the wax
would have felt on his skin, slick 
at the first signs of melting, a spreading
warmth that felt so good he flew closer 
to the sun, the sensation a full body coating
of intoxicating heat, before the wax
began to burn, to cover him like napalm,
to coat his body in something like jet fuel
and feathers, consuming him as surely
as the coat Medea prepared for Jason’s bride.
I think my mother named me Jason
because she wanted me to live past the tragedies
she knew would be my lot, to keep going after
the bodies had piled up on stage, but I’ve always 
felt like Icarus, a flaming ball of wax 
and feather, not a beautiful boy falling out
of the sky, but a charred corpse, plummeting
to the ocean. I took the name Icarus
when I felt the wax begin to melt
on my skin. I’m not falling from the sky
just yet. The burn is still a spreading warmth. 

Jason Schneiderman is an Associate Professor of English at the Borough of Manhattan Community College, CUNY and teaches in the MFA Program for Writers at Warren Wilson College. His books of poetry include Hold Me Tight, Primary Source, Striking Surface, and Sublimation Point, and he is the editor of Queer: A Reader for Writers.

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