The Crisis of Fake News Isn’t News At All

Technological Change, Skepticism of Authority, and Relentless Politicization Have Always Undermined the Power of Facts

To be human is to have cognitive bias. And these human biases—and the institutions that benefit from promoting these biases—have fueled the current epidemic of fake news and the rejection of scientific data, said panelists at a Zócalo/Getty event titled “Did Truth Ever Matter?”

The three panelists—New York Times film critic A.O. Scott, Boston University philosopher Lee McIntyre, and RAND Corporation political scientist Jennifer Kavanagh—confronted the evening’s topic from perspectives ranging from the artistic to the scientific. Sandy Banks, former columnist for the Los Angeles Times, moderated the discussion before a full house at …

How African American Spirituals Moved From Cotton Fields to Concert Halls

After the Civil War, Touring Groups of Black College Singers Popularized Slavery-Era Songs, Giving Rise to a New Musical Genre

“Swing low, sweet chariot….” These words are familiar to many Americans, who might sing them in worship, in Sunday school, around campfires, in school, and in community choruses. But …

The Photographer in the Garden

How the Camera Conveys the Ways We Cultivate Nature

Gardens are the birthplace of some of our most enduring myths and creation stories. Many religions posit the idea of a lush, sacred place where humans once dwelt in harmony …

Mesmerized, Baffled, and Smitten by the Magic of Dance

A Veteran L.A. Dance Critic Reflects on Her Passion for the Art Form

My career as a dance critic really began when I was six years old, though I didn’t know it. My mom signed me up to take a creative movement class …

The Play I Had to Write About the Murder That Haunted Me

To Forget Is to Remain Trapped in Purgatory, but Reimagining Horror Can Bring Catharsis

Mary Turner.

That name is forever etched into my memory … into my existence, as an artist, a writer, a woman, a mother, a human being.

On May 19, 1918, …

What Saudi Arabia’s Vibrant Art Scene Says About Its Internal Struggles

Artists Are Using Ambiguity to Probe the Fault Line Between Modernity and Conservative Islam

When I first saw Ajlan Gharem’s video, “Paradise Has Many Gates,” at an art studio in Riyadh, Saudi Arabia, I was amazed.

It opens with a small single-story structure made …