Gustavo Arellano’s Diaspora Jukebox Playlist

Essential Music for this Zacatecano Spans Corridos, the Beatles, and AM Radio

As part of Zócalo Public Square’s 20th birthday, we’re sharing the sounds of the Southland with “Diaspora Jukebox,” a series of playlists that celebrate the unique communities and musical traditions that represent Los Angeles. Read columnist Gustavo Arellano’s picks below. He will be emcee-ing our Diaspora Dance Party, taking place at the Port of Los Angeles on Sunday, November 12, where he has promised to do his “best Art Laboe.”

To be a zacatecano in Southern California—someone with roots in the central Mexico state of …

A Tale of Two Venezuelan Diasporas

After a Forced Exodus, We’re All Rebuilding Our Lives. Geography, Time, and Class Only Seem to Deepen Our Divides

American media covers only two types of the 7 million-plus immigrants who have left Venezuela in the past decade.

The first consists of the refugees and asylum seekers who walked across …

How Does Culture Immigrate? | Zocalo Public Square • Arizona State University • Smithsonian

How Does Culture Immigrate?

Artists and Scholars Explore the Ways Their Work Helps Them Understand Homeland

Home can be physical or imagined—a point of departure and return but also a memory or feeling. When migrants and immigrants move across borders, they bring along the places they …

What Does It Mean to Be a ‘Local’ in Hawai‘i?

A Honolulu-Born Writer Reflects on How Demographic and Economic Change Are Making an Idealized Aloha State Identity Obsolete

The story of the modern Hawai‘i diaspora is a paradox: Many of us who grew up in Hawai‘i in the second half of the 20th century developed a powerful sense …

How Venezuela’s Oil Riches Fueled a Literary Explosion

In the Mid-20th Century, Writers Seized on the Conflicts Laid Bare by Petroleum’s Power to Reshape Society

On December 14, 1922, a gusher of petroleum was discovered in Zulia, a rural area of western Venezuela. For nine days the oil showered onto the surrounding farmland, scaring the …