CONNECTING PEOPLE TO IDEAS AND TO EACH OTHER
CONNECTING PEOPLE TO IDEAS AND TO EACH OTHER
Nexus

“Frivolous” Humanities Helped Prisoners Survive in Communist Romania

Covertly Studying Language and Literature Connected Captives and Freed Their Minds

Dumitrescu on Prison Memoirs Picture 1

In a recent New York Times article on the movement to promote university majors promising higher employment and income, Anthony Carnevale, a professor at Georgetown University, sums up the utilitarian view of education in one snappy phrase: “You can’t be a lifelong learner if you’re not a lifelong earner.”

Things often sound true when they rhyme. Growing up in Canada, I would have agreed with Carnevale. I would have even agreed with politicians like the governor of North Carolina, Patrick McCrory, who sees university primarily as job training. I had a Romanian immigrant’s relentless pragmatism, having been raised to think that medicine and law were the only acceptable career options in life. Although I was a bookish teenager, I never thought I could study literature or history or philosophy. At some level I felt these topics were pleasant but useless fluff, nice as hobbies but not worth thousands of dollars in tuition and four years of my life.

At the University of Toronto I fell in love, against my better judgment, with English literature, and switched majors. I felt like a rebel reading Paradise Lost and learning Old English grammar instead of doing something that would earn me a job after graduation. But although I made the switch to the liberal arts, I couldn’t help but feel that the humanities were still somewhat superfluous. This opinion began to change the summer when I was 20 years old. In search of my roots, I went to Bucharest and worked at the Canadian embassy there. That job was the beginning of a practical education in the importance of the humanities.

I learned, for example, how much depends on a word. One of my tasks was to translate interviews with Romanians who wanted to marry Canadians. The immigration agent needed to know if the couple was in love or if the relationship was faked. It was essential that I be scrupulous, adding nothing and taking nothing away. Liars, I learned, often make up romantic stories about their betrothed but cannot bring themselves to say “love.” One woman was allowed to emigrate because, pressed to explain why she wanted to marry her middle-aged, average-looking fiancé, she said merely that he was a good man and she loved him.

During another interview with a prospective fiancée, the Canadian agent pushed a pile of letters and cards towards me and said, “Look over these and see if they seem romantic to you.” My critiques of Romantic poetry in university had made no difference to those long-gone poets, but now the woman whose future I would help to decide watched me as I read over her correspondence with her boyfriend. “It isn’t particularly romantic,” I declared, with all my 20 years of life experience behind me, “but they seem to know each other well.” Her visa was approved.

The more important lesson, though, I learned secondhand. One day, as I was running background checks and doing paperwork, my co-worker told me the story of her in-laws’ marriage. In the late 1940s and early 1950s, the communist government of Romania carried out a massive program of re-education and extermination of the country’s cultural elites. Artists, intellectuals, lawyers, politicians, and priests were put in political prisons and work camps. In a notorious experiment at the Pitești prison, prisoners—many of them university students in the humanities—were “re-educated” using physical as well as psychological torture. Guards beat and subjected them to extreme cold and hunger. They were made to eat their own excrement, and, worst of all, to torture each other. My colleague’s father-in-law, then a student of literature, was one such prisoner.

If the study of literature or history were really that pointless, a government trying to control the minds of its subjects would not go to the trouble of putting humanities students and professors in jail.

In order to maintain his sanity, the young man turned to his education. He knew French, his cellmate knew English, so they spent their captivity teaching one another their foreign languages. After his release, the student was forced to work in a factory, where he met a woman who had also studied literature and been imprisoned as a result. Neither could marry people with clean records for fear of ruining their “files” with the government, so they married each other. Their apartment in Bucharest became a kind of salon, with artists and writers always coming and going. This man, who had learned English in a jail cell, ultimately became a literary translator of English poetry.

When I heard this story, I understood that the stereotype of the fluffy, useless liberal arts was a lie. If the study of literature or history were really that pointless, a government trying to control the minds of its subjects would not go to the trouble of putting humanities students and professors in jail. For educated prisoners, the love of language, art, and scholarship was no mere hobby. It was a lifeline, sometimes the only thread tying them to their identities, their dignity, their shredded sense of humanity. Nothing could be more practical.

Years later, when a new wave of cutbacks in higher education led to reports of another humanitiescrisis,” I decided to find out how much of the oral history I heard at the embassy had been written down. I read a dozen Romanian prison memoirs, all of them published after the 1989 revolution. Each one testified to the power of the liberal arts—especially literature and foreign languages—to help individuals maintain sanity and a sense of self in conditions designed to destroy them.

The memoirs taught me how common it was for prisoners to teach each other languages. Constantin Giurescu, a historian, learned Hungarian from one prisoner and taught it to another; meanwhile, he practiced his English, German, and French. The mathematician and Holocaust survivor Egon Balas held language sessions during captivity to practice English, Russian, French, and German. In prison, Arnold Schwefelberg recalled the Hebrew he had previously learned to the point where he could think in it fluently. Dan Brătianu and his fellow prisoners were tormented by lice, for which they received DDT in glass bottles, so they covered the bottles in spit, rubbed them with soap, and sprinkled the DDT on top. They could scratch up to four hundred words on this makeshift writing surface, which they used to teach each other foreign vocabulary. Later, some of the prisoners who had learned English from Brătianu became professional translators.

Many prisoners survived by recalling poetry they had learned in school or by writing their own. The artist Lena Constante learned French prosody by remembering lines of poetry, scanning and analyzing them, and then composing her own verse in French. Schwefelberg “wrote” 50 to 60 poems and a play, some of which he committed to paper after release. Inmates used Morse or other tapping codes to compose poems, often finishing each other’s lines. They also communicated essential information by quoting poetry, guessing that the guards would miss the point. Prisoners formed study groups, recalling the plots of novels and teaching each other history from memory. Forced into a program of “re-education,” they created their own university instead.

Being an immigrant once made it difficult for me to imagine studying the humanities. Going home to Romania—both physically and through books—helped me understand the value of the liberal arts, one that goes far beyond job prospects and starting salaries after graduation. We have been taught to think of the liberal arts as unnecessary and wasteful, or in Ronald Reagan’s words, “intellectual luxuries that perhaps we could do without.” Memoirs of the Romanian gulag showed me what a dangerous lie this is. Educated political prisoners drew on rich inner resources to preserve their sanity and their spirits. They used their knowledge to help their fellow inmates survive as well. Their experiences reveal what the attack on the humanities really is. It is an attack on the ability to think, criticize, and endure in crisis, and its virulence betrays how vital the liberal arts are. The political rhetoric against the humanities exposes what is most important in our education, even as it attempts to destroy it.

  • strangequark

    Thank you so much for this. It’s a fantastic piece about something that’s been circling in my mind but I couldn’t find the voice for. Whether they use guns or economics, a government beginning to suppress or denigrate the humanities tends to be a bad sign for the people, because those are the subjects which teach us who we are and how to live, about where we came from and how to build a better world. Those are the subjects of revolution and resistance.

    The UK is making a move towards ‘corporate schools’ – schools and colleges run by companies to teach the things that company needs, and once we stop pretending to do anything other than just training children to be mindless workers, we’ve taken a step towards darkness. Of course, for a government which is killing its disabled people and abandoning children to dire poverty, removing the tools for people to figure out what is wrong and how to fix it is the obvious next step.

  • Terra Brockman

    I completely agree with the conclusion that the attack on the humanities is really an attack on the ability to think, criticize, and endure. It seems to me that what politicians, pundits, and (lord help us) “educators” have been persuaded to value is not the “practicality” of the STEM subjects, but the fact that people trained in them will not have rich inner resources and will therefore make excellent drones to fill the ranks of corporations, government, and the military. Thank you for writing so clearly and movingly about such an important subject.

  • Add real satirists the list above. Americans have little idea of satire and its subversive potential.

    Instead of satirists, we have late-night comedians who earn more than bankers and their lawyer bodyguards.

    People allow these entertainers to dilute their anger and feelings of impotence; after which they go to bed feeling politically engaged simply by watching TV and other media snares.

  • Emma Sweere

    I have so long struggled with convincing the skeptics of the value of creativity and the humanities. Thank you for your articulating the importance of the human condition and for showing how narrow a view of learning is without arts. It’s so encouraging to be in touch with someone who recognizes the importance of the subject beyond practical utilitarian purposes.

  • jansand

    I have been involved in the arts all my life since both my parent were artists. A rather long life has taught me that making money is very useful and a minimum of the stuff is basically necessary but to devote one’s life to it is a waste of the opportunity to be alive which offers much more and is a rare privilege. Each lifetime is an adventure unique to each living creature and we differ enough to make it important to understand that values differ greatly.

  • Marilyn

    There is a wonderful book, “the Inextinguishable Symphony” that tells a remarkable and moving story of Martin Goldsmith’s parents during the terror of Nazi Germany and how music got them through. The book culminates in the telling of the Kulturbund orchestra performing Mahler’s Resurrection Symphony, with the powerful words:

    Believe, my heart, you have lost nothing.
    Everything you longed for is yours; yes, yours!
    Everything you loved and struggled for is yours.
    Believe, you were not born in vain.
    You have not lived and suffered in vain.
    What has been must go and
    What has gone will come again.
    Stop trembling.
    Prepare to live.
    O Pain, all penetrating one, I have escaped you.
    O Death, all conquering one, now you are conquered.
    With wings I have won for myself I shall soar in fervent love
    to the Light unseen.
    I shall die to live.
    You will rise again, my heart, in a moment,
    And be borne up. through struggle, to God!

  • Tanya Guthrie

    Thank you for the article! This reminds me of the late Saint Pope John Paul the Great. During the Nazi Occupation of Poland, he strove to keep the Polish culture going through the underground “Rhapsodic Theater”. He and the other actors risked death in order to keep their culture alive through beautiful words and stirring Polish drama. He almost became an actor!
    There is a little more info here:
    http://danielmcinerny.blogspot.com/2011/04/pope-john-paul-ii-actor.html

  • Charles White

    Great article, I majored in the Humanities or Liberal Arts. History and English are my majors. In America and across the world I can see how the pursuit of Liberal Arts can be seen as a luxury. We are told to go to school and earn a degree you can make a living at. History or English majors are laughed at. I remember when I told a fellow student, whom was going to school to be doctor, that I was studying education along with History and English he literally laughed at me. These majors do teach one to think outside the box and challenge unjust ideas. I can see how the pursuit of Liberal Arts saved people’s minds and souls while being tortured by monsters. Thanks again for sharing.
    http://www.estaciousw.com