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A Special Zócalo Music Presentation: How Immigrants Composed L.A.

Zócalo Presents: How Immigrants Composed L.A. | Zocalo Public Square • Arizona State University • Smithsonian

Illustration by Joycelyn Cabrera. From left to right: Ana Landauer, Erik Rynearson, Roberto Cani, and Evgeny Tonkha.

A Zócalo/Artistic Soirées Event, Presented in Partnership with ASU Cronkite School of Journalism and Mass Communication

In 1933, Austrian composer Arnold Schoenberg immigrated to the United States, settling in Los Angeles; he would spend the rest of his life writing music and teaching composition at USC and UCLA. Following him, in 1940, came Russian-born composer, pianist, and conductor Stravinsky, who settled in Hollywood after making the move from France. Then, in 1942, fellow Russian-born composer, pianist, and conductor Sergei Rachmaninoff arrived in Beverly Hills. These immigrants—and others who followed them—fused L.A.’s free-spirited culture with the traditions they brought with them from their homelands.

A string quartet of four Los Angeles Opera musicians—cellist Evgeny Tonkha and violinists Roberto Cani, Ana Landauer, and Erik Rynearson—visits Zócalo to perform the music of L.A.’s immigrant composers, from Schoenberg to contemporary Indian American composer Reena Esmail, who continues in this proud tradition today by merging the worlds of Indian and Western classical music.

Zócalo invites our in-person audience to a post-event reception with complimentary drinks.

ASU California Center
1111 South Broadway
Los Angeles, CA 90015

The Takeaway

The Immigrants Who Composed L.A.

In the Herald Examiner’s Historic Lobby, the Modern and the Classic Blended Sound and Style

There was no better space—the grand entryway into a bygone era of downtown Los Angeles—to convene last night’s event “How Immigrants Composed L.A.” The special musical presentation in the historic …